Amarna Miller– Biography, filmography and career · Spanish porn actress

Art education and stage name

Amarna Miller is a Spanish former porn actress, director, producer and writer, born in Madrid on 29 October 1990. Her professional name combines the Egyptian archaeological site of Amarna with the surname of American writer Henry Miller. She studied fine arts at the European University of Madrid before developing a career spanning adult cinema, production, writing and media appearances.^[1]

Work in adult cinema

She entered the adult industry at nineteen and worked both in front of and behind the camera. For five years she ran her production company, Omnia-X. Her work therefore included organising and producing films as well as performing in them. She stopped shooting pornography in 2017 to pursue other projects. That date concerns new shoots rather than the continued distribution or later editions of existing material.^[1]

Film, television and books

Outside adult productions, she appeared in Contigo no, bicho, presented at the Málaga Film Festival in 2017, and Bad Movie: The Movie. Her Spanish media appearances include Late Motiv, La Resistencia and the radio programme Carne Cruda. She also presented Diario Vice on Movistar+ channel 0.

Her first book, Manual de psiconáutica, appeared in 2015 and combined poetry with photography. These activities place her biography beyond adult film credits and account for her presence in both screen catalogues and cultural publications. Lapsus Calami published the book with a foreword by Nacho Vigalondo.^[1][2]

Studios and documented professional credits

The catalogue for Amarna Miller includes studio labels such as Sex Art, Private, Pure XXX. These names come from the title references and provide a route through the production or distribution networks associated with this career. The directory records 83 acting credits, keeping each professional function separate. The same title can therefore account for more than one credit. These figures describe the entries currently documented here; they are neither a count of new shoots nor a measure of career length. Original productions, reissues and compilations need to be distinguished using the individual references. A studio label alone does not establish an exclusive contract or an employer relationship.^[4][5]